The iron-fisted Akhandanand Tripathi is a millionaire carpet exporter and the mafia don of Mirzapur. His son, Munna, is an unworthy, power-hungry heir who will stop at nothing to inherit his father’s legacy. An incident at a wedding procession forces him to cross paths with Ramakant Pandit, an upstanding lawyer, and his sons, Guddu and Bablu. It snowballs into a game of ambition, power and greed that threatens the fabric of this lawless city.
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Somewhere in Southern California, in a drug raid run by the US government, a beachfront property was seized and turned into a residence for undercover cops. They are all top agents of the DEA, FBI, and Customs and they are living in this house unofficially known as “Graceland”. “Graceland” is a place full of secrets, and bad, good, and blurred moments too. The only idyllic thing is its outside look, but the lives of its residents are nothing like it. The lies which are in the base of their undercover work, are formed a web of lies that pervades everything. Coming of a new graduating at the top of his class, FBI rookie, Mike Warren, could make the life of a legendary FBI agent Paul Briggs and the others, more complicated or it could reveal the truth. It is based upon actual events.
Aladdin is an animated television series made by Walt Disney Television which aired from 1994 to 1995, based on the original 1992 feature. It was animated at the Slightly Offbeat Productions Studios in Penrose, Auckland, New Zealand. Coming on the heels of the direct-to-video sequel The Return of Jafar, the series picked up where that installment left off, with Aladdin now living in the palace, engaged to beautiful and spunky Princess Jasmine. “Al” and Jasmine went together into peril among sorcerers, monsters, thieves, and more. Monkey sidekick Abu, the animated Magic Carpet, and the fast-talking, shape-shifting Genie came along to help, as did sassy, complaining parrot Iago, formerly Jafar’s pet but now an antihero. Jafar, having previously been destroyed in the second movie, returns in only one episode which also serves as a crossover with Hercules: The Animated Series.
Many of the films’ stars provided the voices of their TV counterparts, with the notable exception of Dan Castellaneta filling in for Robin Williams in the Genie role. Unlike The Little Mermaid spinoff series, this series does not feature any musical numbers.
The series originally aired concurrently on the syndicated The Disney Afternoon block and on Saturday mornings on CBS. Disney Channel reran the series in the late-1990s until it was replaced by their pre-teen lineup. The show was later shown on Toon Disney, but has since been removed.
Super soldier Max Guevera tries to live a normal life in post-apocalyptic Seattle while eluding capture by government agents from the covert biotech facility she escaped from as a child and searching for her genetically-enhanced brothers and sisters who have dispersed after escape.
Ex-cop and recovering alcoholic Hank Dolworth partners with his best friend, former criminal Britt Pollack, in an unlicensed private investigation business. The series is set in Ocean Beach, San Diego, California, although it is portrayed as a distinct town, with Dolworth having once been a member of the fictional Ocean Beach Police Department.
Perhaps their strikingly different personalities make the relationship between detective Jane Rizzoli and medical examiner Maura Isles so effective. Jane, the only female cop in Boston’s homicide division, is tough, relentless and rarely lets her guard down, while the impeccably dressed Maura displays a sometimes icy temperament — she is, after all, more comfortable among the dead than the living. Together, the best friends have forged a quirky and supportive relationship; they drop the protective shield in each other’s company, and combine their expertise to solve Boston’s most complex cases.
Last year, the UK’s armed police officers out more than 16,000 operations in England and Wales, dealing with marauding fugitives, organised criminals, tense hostage situations and the ever-increasing threat of terrorism. This programme follows operations carried out by armed response teams, combining real footage from the missions with news coverage of the aftermath, and testimony from the officers themselves